As you might know, I’m working on a sensory ethnography during 2017-2020 funded by Nessling Foundation and Kone Foundation. The focus is on post-growth work and I use video among other things. And let me tell you, using video requires learning a whole new set of skills.
Despite some well meaning advice, I have insisted on doing video editing myself. And let me tell you another thing, it is hard. I chose Adobe Premiere Pro CC due to an access to the licence via my affiliation with Aalto University, Department of Design. It is an editing program developed for professionals. I’m a beginner, although I have taken a (short) course. As a result, I have done many imaginable and unimaginable mistakes. I’ve spent many moments just trying to figure out how to frame my problem in order to find some answers over the internet. Yes, thank you for the suggestion, I need to take another course. But I also need to to this basic work of familiarising with the program while working on an actual project. By the way, this project is my first short ethnopgraphic film for a virtual conference Displacaments 2018. Very cool and exciting!
Why I insist on doing video editing myself? For one, I don’t have a budget to hire anyone. But most improtantly, I think it is worthwhile for my postdoc project. After all, I have promised to generate public videos during my research under some of the Creative Commons licences. At this point, I feel lucky that I have time until 2020. But already by now, doing video editing has thought me already a number of important lessons.
First, considering the publicly available videos (in the future), I don’t know what kind of material I should generate unless I know what is doable to do with the chosen editing program. Mind due, that I’m also a beginner in generating video materials. What kinds of angles, framings, durations, actions etc. work? What about the sound, how is the quality of audio from a particular setting? I’ve been told that a good camera person edits while shooting. Apparently, they can produce interesting images for the editing phase so that editor’s work flows smoothly. That’s my goal, in some years. Naturally, the same goes for sound.
Second, I don’t want to gloss over my interpretations from the field. Someone with more video editing experience would most likely make choices that seem more professional. But then again would that respect what I have experienced while doing fieldwork? Perhaps another video editor would, for example, increase the tempo by cuts or the choice of music. But that might not be how I experienced and sensed the field. For example, my stay with one household was a very calm one, although I worked every day. The calmness came from staying put on the estate and focusing on tasks at hand related to gardening, animal care, and food. It was not like a movie or a music video with things happening all the time, yet there was good work being done. That’s the feeling I hope to communicate with my on-going editing project.
Third, being the only person in the production team, I do everything myself for generating video materials. I don’t have a camera person. I don’t have an audio technician. I don’t have anyone carrying my gear. And I don’t have a person who I do not even know I miss if I would be used to their expertise. So it’s me and the field. As a result, the process of generating video materials and editing is slow, but then again I feel it respects my research topic, which deals with questioning exponential ecnomic growth.
These issues dealing with shooting techniques, contenct, and process have made me realise that I’m learning a whole new set of skills. No wonder it seems slow and difficult at times! Then I remind myself that about eight years ago I started to learn how to write academic publications. I’m still learning the skills required for developing an interesting journal article or a book chapter – let alone a whole book, which I have not done yet (if a compilation doctoral dissertation is not counted).
So one step at a time, because that’s what DIY processes are about.